Every writer has been told to read, read, read. Read as much as you can to improve your own writing skills.
Well, I read an interesting article at Writer Unboxed that explained why simply reading to improve your writing won’t cut it.
According to the author, Julianna Baggott Faculty Director of Vermont College of Fine Arts MFA in Writing and Publishing, “I’ve found that some of my most thoroughly read students – the ones who devour and love every book they come across – are some of my hardest to teach. I believe that how one reads is essential. And if you don’t master reading as a writer, sheer quantity will be of little use.”
Baggott broke down reading as a writer into five categories: blueprint reading, territory reading, language reading, portal reading, singular lens reading.
Breaking them down:
1. Blueprint reading.
This goes back to read, read, read. While she kind of said this doesn’t work, she does agree that reading in volume does give you an idea of how a book is written to get published. (assuming you’re reading traditionally published books.)
For my writing, I like this type of reading. Seeing how the author puts the story together, how he builds his characters, how she keeps the conflict rising, how he ties up all loose ends . . .
It is a great tool to learn ‘good’ writing.
2. Territory reading.
This is reading to take ideas away with you. It could be from the topic, a chapter, a scene. At least this is what I think the author is saying.
I’ve done this. I’ll be reading a children’s book and an idea pops up. It may just be something I’m reading that takes me in a new direction. But, it can get the creativity flowing.
3. Language reading.
Reading with language in mind is to see the words that are used.
I do this often. While Baggott uses it for ideas and transitions into topics, I use it for the actual words. I love to see what words authors use to convey an emotion, a sensation, a description, and so on.
I also keep a database of words I find that I might be able to use down the road. So, just like the author of the article, I’ll have words circled or underlined in the books I read.
4. Portal reading.
I’ll be honest, I’m not quite sure what the author is saying for this reading experience. As far as I can tell, it’s reading and through the scene be transported into your own story. The book somehow acts as a muse to give you insights into your story.
This hasn’t happened to me.
5. Singular lens reading.
This one is more about seeing everything through the story you’re writing. You look at book covers, titles, contents and how it relates to your story.
As Baggott puts it, “This reading is how you look at the world around you when you're so deeply involved in a project that everything you encounter gets filtered through that one lens.”
As a ghostwriter, I’m usually working on more than one story at a time plus my own stories. Because of this I don’t really get ‘singular lens’ anything.
But, it’s easy to see how this can happen.
Summing it up.
Being a writer, I notice how I read different than someone who doesn’t write. I see grammar. I see sentence structure, chapter structure, story structure, character building and sometimes all this is at the sake of the story itself. I’ll have to stop myself to actually just read the story.
But, this is what writers do consciously or subconsciously. We can’t help it.
And, now you have five reading styles to help you write your stories. Have you found yourself using any of these?
Reference:
5 Ways to Read as a Writer
This article was originally published at:
http://karencioffiwritingforchildren.com/2017/08/13/read-as-a-writer/
Karen Cioffi is an award-winning children’s author, successful children’s ghostwriter, and online platform instructor with WOW! Women on Writing. Check out her middle-grade book, WALKING THROUGH WALLS.
You can connect with Karen at:
Facebook https://www.facebook.com/writingforchildrenwithkarencioffi/
LinkedIn http://www.linkedin.com/in/karencioffiventrice
Twitter http://twitter.com/KarenCV
Information to help others become better readers, writers, designers, and illustrators
Sunday, August 4, 2019
Tuesday, July 30, 2019
Jodi Heaton Hurst - New Children's Book Released
That wild prairie wind! It might blow Grandma Rose’s letters out of her hand. It might even pick up Grandma Rose and Grandpa Frank and Mollie Dog and blow them down the road! “Wa-shooh,” the wind chuckles as it plays its prairie-wind game.
During her years of growing up in west Kansas, the author's parents often said, “This wild wind will blow you away,” which she adapted for this story. Jodi Heaton Hurt's story, illustrated by Jeanne Conway, will delight readers young and old.
Jodi states on her blog (jodiheatonhurst.com): "Wild, Wild Wind blows you, the reader, from page to page with Grandma
Rose, Grandpa Frank, and that crazy, wild wind. LOOK! It's blowing
Grandma Rose down the road. Grandpa can't help Grandma. Neither can
Mollie Dog or Gorby Goat. Will somebody, please, help Grandma?"
Copies of Wild, Wild Wind can be purchased from the author contacting her on jodiheatonhurst.com/p/projects.html, by asking for the book
at a local bookstore, or by ordering it from the online bookstore: 4rvpublishingcatalog.com
Friday, July 26, 2019
Group Book Signing: Wayne Harris-Wyrick and vehoae included
The July 24, 2019 Edmond Sun carried an article about a group book signing to be held at Best of Books July 27. Two 4RV authors are included: vehoae and Wayne Harris-Wyrick. Hopefully, anyone in the area will attend the book signing and support Wayne and vehoae. A scanned copy of the article follows:
Congratulations, vehoae and Wayne for being included in a well-written news article. May the book signing be successful.
Wednesday, July 24, 2019
Two of the Most Powerful Words for Writers
For a character driven writer, a story idea begins with a character. Think about this character. Figure out where he or she lives, how the character dresses, what his or her daily life is like, what motivates this person, and consider his or her physical description.
None of that, however, gives you a story. A storyline involves plot, climax, and resolution. It involves conflict: something the character needs or wants and the obstacles that stand in the way of him getting it.
This is where two of the most powerful words come into play. What? You’ve never heard of these words? I think you have.
Those two words are, “What if ...”
She could be any well-bred girl living in the 1800’s—but she’s not. Amelia has a story all her own.
What if …
Amelia experiences a tragedy unlike she’s ever known?
What if …
Her parents die of the influenza and Amelia is sent to live with her spinster aunt at the family estate in Massachusetts?
What if …
Amelia’s impulsive nature is at odds with her Aunt Martha’s desire to bring her up properly?
What if …
A lonely Amelia befriends Ralph, the Negro stable hand working at the estate? And …
What if …
Aunt Martha disapproves?
What if …
Amelia’s father told her stories of what Aunt Martha was like as a girl and they are very different from the stern, bitter aunt who is now her guardian?
What if …
Amelia decides she must uncover the secret that caused the change in Aunt Martha? And ...
What if …
She is willing to risk her aunt’s wrath to find out?
Two little words, yet they open up a world of possibilities. Use them wisely. Use them often.

Cheryl C. Malandrinos is a freelance writer and editor. She is the author of Little Shepherd, A Christmas Kindness, Macaroni and Cheese for Thanksgiving, and Amos Faces His Bully. A blogger and book reviewer, she lives in Massachusetts with her husband and two daughters. She also has a son who is married. Visit Cheryl online at http://ccmalandrinos.com and her children’s book blog at https://childrensandteensbookconnection.wordpress.com
Sunday, July 7, 2019
4 Realities Writers Need to Face
Contributed by Karen Cioffi
Writing can be a tough field to be in. Some authors seem to make it overnight, while others struggle on for years with not much success.
There are at least four must-know tips that every writer should be aware of to help get over the bumps in the road.
1. It’s going to take time to write your story.
It’s important for new writers to know writing a story can take a while – if you want to get it as ‘right’ as possible.
One reason for this is you should occasionally take a break from your story to look at it again with fresh eyes. Maybe in a week or so.
Another reason is as you’re going along then reread your story, you’ll no doubt find things here and there that you want to change or that doesn’t read right.
And, often, writers don’t know when enough is enough. You keep trying to tweak the story until it’s ready to go,’ at least in your eyes.
While there are events like ‘Novel in a Month,” most of those who participate create a draft in 30 days, not a ready to submit manuscript.
So, expect it to take a while to write a story you will be proud of. And, don’t try to rush the process. If you get done sooner than expected, it’s icing on the cake.
2. Don’t expect your first story to make it.
Your very first attempt at writing a book may not be the one that actually gets published. In fact, chances are it won’t be.
It may be that the story just sits in your computer, in a file somewhere. Or, you may occasionally work on it, never being quite satisfied with it. Or, you may keep submitting it, but it never finds a home.
What do you do in the meantime? Keep writing. Get another story started and keep honing your craft. Don’t be discouraged.
3. You need a critique group or a critique partner.
New and seasoned writers can benefit from critique groups or having a critique partner. It’s almost impossible for a writer to see her own work with fresh eyes. You know what you intended to say, so even if it’s not really there, you will see it. You won’t know if you’re missing clarity or possibly a blatant grammatical error.
And, there are all the other writing pitfalls, like character development, plot, story arc, and so on, that you may glaze over.
Another writer, particularly one who writes in your genre, will be able to spot what you may be missing. Or, at the very least, give you some insights.
4. Don’t compare yourself to other writers (at least try not to).
Writers can feel insecure in their abilities, their progress, and their successes. This one goes for authors and freelance writers.
You may feel other writers you know are getting publishing contracts while you’re not. Maybe you’re a freelance writer and don’t feel you have enough credits. You may feel you’re not as good a writer as others.
It may be hard to do, but DON’T go there.
If you think you need to hone your writing skills, take classes and hire a writing coach. Instead of feeling unworthy or discouraged, take steps to move forward.
Keep honing your craft and persevere your way to success.
5. If you don’t go for it, it’ll never happen.
Okay, this is a bonus reality, but super-important. If you don’t submit your manuscript, it’ll never find a home.
If you don’t query magazines to get a foot in the article writing arena, you’ll never get an article in a magazine.
Don’t procrastinate and don’t think you’re not good enough. Just go for it. Do the work and SUBMIT. Remember, nothing ventured, nothing gained.
Source:
6 Hard Truths Every Writer Should Accept
This article was originally published at:
http://karencioffiwritingforchildren.com/2016/05/15/4-realities-new-writers-need-to-face/
-----
Karen Cioffi is an award-winning children’s author. She runs a successful children’s ghostwriting and rewriting business and welcomes working with new clients.
For tips on writing for children OR if you need help with your project, contact her at Writing for Children with Karen Cioffi.
To get monthly writing and book marketing tips, sign up for The Writing World – it’s free!
And, you can follow Karen at:
Facebook https://www.facebook.com/writingforchildrenwithkarencioffi/
LinkedIn http://www.linkedin.com/in/karencioffiventrice
Twitter http://twitter.com/KarenCV
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Wednesday, June 26, 2019
Editing — It Makes All the Difference
As a reviewer, I’ve read hundreds of books in a variety of genres. While not every book has been my favorite, what leaves me feeling most disappointed is when I think to myself, “This could have been a great book… if only it had been edited more thoroughly.”
I once read a series of children’s books. I enjoyed the message and loved the characters, but the sheer number of typographical errors distracted me.
A famous author wrote an amazing mystery novel. Do you know what I remember most? In one chapter, the bad guys had kidnapped the hero and taken his belt. In the following chapter, the hero used the belt — the one he no longer had — as a tool to assist in his escape.
In another book, the main character’s mother’s name changed several times and one of the character’s cars was green early in the book, but silver later on.
Now, I’ll admit, I’m not as good at editing my writing as I am at spotting errors in the work of others, but the editing phase of completing a manuscript can’t be rushed. In addition, a critique group and a third party editor will catch errors and inconsistencies you will miss.
Here is how I approach editing my writing. After sending a manuscript to my critique group, I review the feedback and make necessary changes. Then, I let the manuscript sit for at least a week. I go back and perform three rounds of edits: one to pick up typos, one to focus on grammar, and the last to check for inconsistencies. Finally, it's off to an editor to polish it for submission.
Years ago, I interviewed a woman who had been in the entertainment industry for decades. She had written a book about her father, an award-winning composer. Finding a publisher proved difficult. She told me breaking into publishing was more of a challenge than catching a break in entertainment.
In such a market, taking the time to edit your book thoroughly will make a huge difference. Proper editing can turn a good book into a great one.
Cheryl C. Malandrinos is a freelance writer and editor. She is the author of Little Shepherd, A Christmas Kindness, Macaroni and Cheese for Thanksgiving, and Amos Faces His Bully. A blogger and book reviewer, she lives in Massachusetts with her husband and two daughters. She also has a son who is married. Visit Cheryl online at http://ccmalandrinos.com and her children’s book blog at https://childrensandteensbookconnection.wordpress.com
Wednesday, June 12, 2019
Writing through the Hazy Days of Summer
Summer will soon be upon many of us. For some, that means the regular schedules have eased a bit, there are fewer activities, school is out, and vacation brain has settled in. For a writer, this can come with a few challenges:
- Spend the day at the beach or write
- Take the kids to the park or write
- Tackle spring cleaning because you were too busy before or write
Can you see how this leads to not being productive?
It doesn't need to be that way. Here are three tips to keep you writing through the summer.
Get up Early
Ugh! I said it. Better to get the hard one out of the way first. I'm not a morning person. Let me stay up until 3 AM and sleep until 10 AM. I'll be happy. The problem is that by the end of the day, I'm dragging. Who wants to be creative when they are exhausted?
Think about what time your family rises and get up an hour earlier. Brew your coffee or tea and spend the first hour writing. You'll be surprised how much you can accomplish.
Find a New Writing Spot
Writing from home is convenient. What often happens, however, is we take up our writing time with household chores or getting distracted by our children who aren't usually around in the middle of the day.
Pick up your laptop or pen and paper and find a writing spot outside of your house for a few hours. We are lucky to have several local cafes here, but the library or a park would also be a great spot.
Join a Writing Group
Our writing group has been an immeasurable help in encouraging me to write more regularly. Not only are we required to bring a writing sample each month, being around other writers is a huge source of motivation. For tips on how to find a local group, click here.
If you're still struggling, here are a few writing prompts to try:
- My dream vacation is...
- I became a writer because...
- My favorite thing about our city/town is...
Cheryl C. Malandrinos is a freelance writer and editor. She is the author of Little Shepherd, A Christmas Kindness, Macaroni and Cheese for Thanksgiving, and Amos Faces His Bully. A blogger and book reviewer, she lives in Massachusetts with her husband and two daughters. She also has a son who is married. Visit Cheryl online at http://ccmalandrinos.com and her children’s book blog at https://childrensandteensbookconnection.wordpress.com
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