Character or Plot Driven

 

 

 

 Character or Plot Driven

         In writing circles, the battle rages on: Is a story character-driven, or is it plot-driven? One side states that character-driven writing focuses on the internal change of the character or characters rather than the events that take place. They state plot-driven stories focus on the happenings and external changes. However, how clear-cut are the two types of writings?

         According to the article “Character-driven vs Plot-driven Writing” by Dorrance Publishing,
            Plots that are character driven are commonly referred to as “literary fiction”
            due to the fact that they feature characters that possess multiple layers that are
            exposed as the story develops.
Note the author of this article says “plots that are character driven,” and plot means actions, happenings.

         The article sited above does state both character and plot are necessary for a good story, as does editor and writing coach Jeni Cappelle, “Every well-written novel must have a combination of engaging characters and a compelling plot.”

         Best-selling author and writing expert William Bernhardt takes the battle farther when he states the belief of character-driven and plot-driven being separate entities is a myth. He writes, “All fiction is character-driven.” [Creating Character, p 6] No matter what exciting happenings the writing may contain, it falls flat if the writer uses a flat, boring, or unbelievable character or characters. All good writings require “strong, dynamic, unique characters.” [p 11] As stated on the back cover of Bernhardt’s book, Aristotle wrote, “Action is character.”

         Everyone agrees that one must have both engaging characters and an attention-holding plot Bernhardt writes that combining imagination, insight, and first-rate writing skills creates the best characters. Great writers use the same qualities to develop compelling characters and electrifying plots. Both characters and plot combined take readers into a different world that exhilarates them and removes them from their own existences for a while and leaves them wanting more.

Sources, other than author’s own knowledge and expertise:
1. William Bernhardt, Creating Character: Bringing Your Story to Life.
2. Jeni Chappelle, editor and writing coach, “Plot-driven or Character-driven: Does it Really Matter?” jenichappelle.com
3. Dorrance Publishing http://www.dorrancepublishing.com/character-driven-v-plot-driven-writing-whats-d...

What Makes a Good Fiction Story - Plot Driven or Character Drive?

Stories can be plot driven or character driven, so which is the best formula to use when writing a story? Knowing a little about both methods should help in making a decision.

Plot Driven Story

A story’s plot moves the story forward, from point A to point B. It doesn’t necessarily have to be in a straight line; in fact a course that twists and turns is much better. This type of plot creates movement and interest. It’s the twists and turns that will keep the forward momentum fresh, as well as creates anticipation. Anticipation will hold a reader’s attention.

 The plot also provides reasons and explanations for the occurrences in the story, as well as offers conflict and obstacles that the protagonist must overcome to hopefully create growth. These elements create a connection with the reader. It entices the reader to keep turning the pages. Without a plot it is difficult to create growth and movement for the protagonist. It might be comparable to looking at a still photo. It might be a beautiful photo and may even conjure up emotions in the viewer, but how long do you think it would hold a reader’s attention?

Along with this, the plot molds the protagonist. It causes growth and movement in the character. Assume you have a timid woman who through circumstances, the plot, transforms into a brave, strong, forceful hero. Where would the story be without the events that lead this timid woman to move past herself and into a new existence?

Character Driven Story
On the other hand, a character driven story creates a bond between the protagonist and reader. It is the development and growth of the character, the character’s personal journey, which motivates the reader to connect. There doesn’t need to be twists and turns, or fire works. The reader becomes involved with the character and this is all the enticement the reader needs to keep reading.

In addition to this, the character works hand in hand with the plot to move the story forward. As the character begins her transformation the plot moves in the same direction.

In some instances, such as short stories, a character driven story can work amazingly well, such as in The Story of an Hour by Kate Chopin. In cases such as this, the connection developed between the character and the reader can be more than enough to satisfy the reader. But, all in all, it seems to be the combined efforts of a well plotted and character driven story that works the best.

The Best of Both Worlds

According to science fiction and fantasy writer, L.E. Modesitt, Jr., “The best fiction should be an intertwined blend of character, plot, setting, and style.”

I agree; all elements of a story working together create stories that will be remembered.

All the aspects of a story should complement each other, should move each other forward to a satisfying conclusion, and should draw the reader in. If you have an action packed plot driven story, but it lacks believable and sympathetic characters, you’re story will be lacking. The same holds true if you have a believable and sympathetic character, but the story lacks movement, it will usually also fall short.

As with all things in life balance is necessary, the same holds true when writing a story.

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