- Visit with the characters.
Get
acquainted with them like we would a new friend. Ask them questions.
What is your greatest fear?
Have you lived here long?
Any children?
Listen to what music they turn on in the car?
Visit
their home and comment on pictures.
Get to
know them so well that we can guess how they will react in a situation.
- Turn off our internal editor when we write.
After coming up with plot points plus a black moment, we might want to
do a chapter by chapter outline. That depends on whether we're a plotter or a
pantser, but either way, when you’re ready to write, turn off your internal
editor and start writing with few interruptions and no stopping to make it better..
Mark any spots where research is needed
to make it real.
Disregard wording, grammar, or spelling.
Let the writing flow
**editing
comes after the rough draft**
**research
comes after the rough draft**
**rethinking
comes after the rough draft**
3. Utilize a
simple storyboard
Make a poster with a square for every chapter of our book.
Put the main plot lines on different color sticky notes. Put the appropriate
color or colors in each square. Then, at a glance, we can see which plot line
needs more attention.
Get a new set of sticky notes (different colors than the
first) Put 2-3 things that weave through the book such as a foreshadowing, a
symbol, a subplot. Spot them throughout the storyboard making sure the thread
shows up three or more times in our book. Otherwise, delete it.
Find more elaboration on this simple storyboarding technique
at:
4. Check
the first three chapters.. If you find more than twenty words of backstory,
delete
it or work it in three-quarters through the book.
5. Read
through the turning points in our story to see where our character grows.
They do
grow, do they not? Our characters change their viewpoint
and their actions because of the trials they face. Think how we can make that trial or
conflict worse?
Write ten
things that can happen that are worse. Use number nine or ten. The
writer/editor in us seems to go for easier first and more creative later.
6. Even
if we've read it a hundred times, reread Writing the Breakout Novel workbook one more
time
before we finish our rewrite. Using our manuscript, choose a blank sheet of
paper and
answer every question Donald
Maass asks. Again, choose our later thoughts instead of earlier,
more lazy
ones.
These six steps will
ramp up the interest and make our fiction more than good. These six steps will cause our words to capture and imprison the reader's attention. These six steps will make our story superior. Isn't that what we're trying to do?
#writing #4RV #books #storyboard #Maass #characters #backstory #editing #conflict #publishing #fiction
Janet,
ReplyDeleteI'm presently editing a picture book manuscript and I plan to follow these tips. Thank you very much for sharing them. I know they'll be helpful.
For some people these steps work very well; for other people, they don't. For example, not everyone can outline and write fiction. Tony Hillerman stated that outlining stopped all creativity for him. Some people can't write without an outline. I'm not one who can outline and write fiction.
ReplyDeleteThanks for your comments. Anyone else have feedback? What works for you?
ReplyDeleteGreat insights, Janet. Thanks for a wonderful article. This one goes on my bulletin board.
ReplyDeleteThank you, Ginger. Your words mean a lot to me.
ReplyDeleteDear Janet,
ReplyDeleteI love your storyboard ideas. Very simple, efficient, and effective in helping to get the story jam-packed full of neat ideas.
Thanks for sharing.
Celebrate you.
Never Give Up
Joan Y. Edwards
I like the storyboard idea too. And I'm going to have to pull out my copy of Writing the Breakout Novel Workbook and take another look. :-)
ReplyDeleteGreat tips, Janet. I've written with an outline and without and actually prefer the panster method. The story creates itself. Although, when retelling a old tale, having a GPS for the story works well too.
ReplyDelete