Tuesday, November 12, 2019

Tips to Bust through Holiday Stress and Keep Writing



Look around you. The holiday season is already in full swing. There are gifts to buy, a house to decorate, guests to entertain, and a family to make memories with. Oh, and you still have to find time to dedicate to your writing career. Impossible? Not if you plan it right. Here are tips from time management experts.

Plan Ahead

Dr. Donald Wetmore, President of the Productivity Institute, says we know the holidays add more to our plate than just the regular routines. Plan ahead and schedule tasks and events with greater care. Then things get accomplished sooner, rather than later, and at a pace you can handle.

Delegate

With the holidays, it’s easy to try and do too much yourself. Wetmore suggests you decide which is more important to you, “do it” or “it gets done.” Even without a writing career to nurture, there isn’t enough time do everything. Admit you need help and seek out a few of Santa’s elves — also known as your spouse and/or children — to help with the cleaning, shopping, and decorating.

Get Enough Sleep

It’s tempting to wake up before the kids each morning and then put in a few hours after they’ve gone to bed each night, but when you burn the candles at both ends you are less productive and become more irritable. It's important to get the sleep you need. Just think of how much more creative you’ll be with a full night’s rest.

Keep it Simple

This isn’t the last holiday season you and your family will experience, so don’t feel like you have to do it all. Here are a few tips that Susie Michelle Cortright, Founder and Publisher of Momscape, and freelance writer Marlene Biondo had to offer their readers:

  • Narrow down your Christmas card list
  • Take advantage of free gift wrapping services
  • Choose one gift theme for everyone on your list
  • Limit parties or consider having a pre-holiday or post-holiday get together

What is one of my favorite tips? Make suppertime less complicated around the holidays by preparing casseroles or slow cooker meals. Leftovers help to make the next day's lunch easier, too. Less time in the kitchen can also mean more writing time.

The holidays should be a joyful and fun-filled time spent with family and friends. With careful planning, you can experience all the peace of the season and keep writing, too.



Cheryl C. Malandrinos is a freelance writer and editor. She is the author of four children’s books including, A Christmas Kindness, released by 4RV Publishing. A blogger and book reviewer, she lives in Massachusetts with her husband and two daughters. She also has a son who is married. Visit Cheryl online at http://ccmalandrinos.com and her children’s book blog at https://childrensandteensbookconnection.wordpress.com

Monday, November 11, 2019

Preparing to Write




Preparing to Write


       

         Both Jodi Thomas and Jerry Jenkins, best selling authors in different genres, say the first step in writing is to have a special place to write. Jodi called it a writing nest. Jerry stated, "establish your writing space." We may use a couch and coffee table in one corner of our living room or a small building in the back yard. We use what we have at the time, but we need to have a spot where we can write.

         Of course, the more comfortable and private the nest or space, the better. But, real writers can write almost anywhere, especially once they have trained themselves to write.

         As with any career or hobby, a writer needs writing tools. So, we need to collect our tools. Some of us handwrite our first draft and need piles of tablets and multiple pens and/or pencils. Not having supplies where we can find them is a disaster. Everyone then types the manuscript on a computer. For some of us, we use the computer from the first draft onward. A few pay someone else to do the typing.

         Jerry Jenkins states the publishing world runs on Microsoft Word, and it does. Therefore, writers need to have a MS Word program on their computers, whether a Mac or a PC. Some other processing programs claim to have interchangeable ability between its program and MS Word, which isn't always true. I know I have run into difficulties editing documents created in a different program, strange formatting and symbols rather than letters appear when changed to Word.

          One point to remember, even if someone else does the typing after the manuscript is handwritten, an author still needs a computer for research and for communicating with potential agents, editors, and publishers. A writer needs the best computer he/she can afford, with the most capacity and speed.

         Writers need to have everything that might be needed in addition to a desk or table: a stapler, paper clips, a ruler, a pencil holder, a sharpener, notepads, printing paper, paperweights, a tape dispenser, cork or bulletin board, clock, bookends, reference works, a space heater, a fan, a lamp, a beverage mug, napkins, tissues -- anything and everything that might interrupt working on the manuscript.

         One piece of advice Jerry gives and with which I totally agree is not to try to finish a whole book in one sitting. He says, "Break the project into small pieces." Although we know our project will be at least 80,000 words, for example, we shouldn't think we must write all 80,000 words in one day.

         Jodi advises setting a time limit each day for writing. She suggests beginning with twenty minutes, using a timer, each day, even if most writers will probably pass that time limit often. However, setting that limit gives writers an opportunity to take a small bite out of the large project every day.

         Prepare and organize the main points and ideas for your book. I could write a whole book about this part of writing, but authors need to research, organize, and use some form of compiling information.

         Finally, authors should set a goal, perhaps a deadline or number of words per day or number of pages in a week. I am using NaNoWriMo (National Novel Writing Month) as my goal to finish at least 50,000 words on my current book. I will write at least 2,000 - 5,,000 words each day to meet my goal. I used that to motivate myself to finish Burnt Offering, and the idea worked.


Sources:
         Jerry B. Jenkins https://blog.bookbaby.com/2017/12/20-step-plan-to-writing-a-book-part-1/
          Jodi Thomas, keynote speech, Ozark Creative Writers Conference, (October 12, 2019) 


Monday, November 4, 2019

Dust of Lies by G.K. Davenport Weaves Together Family Secrets and Lost Treasure



From the moment I first read this manuscript, I fell in love. While the lost Confederate gold has played a role in several novels, Dust of Lies by G.K. Davenport weaves this myth into a family story that will captivate the reader from the first page to the last.

On a hot, sultry day in the little town of Barber, Kay witnesses the demolition of the old jail. A reporter for the local newspaper, even the blistering heat of an Arkansas day won’t stop her from grabbing a story for the Gazette.

In the rubble, Kay discovers a haunting poem etched into a block of plaster. Written by a young man who died in his cell, his cry from the grave leads her on a quest that will take her from Arkansas to Texas and back through history to uncover the truth about his family and rumored Confederate treasure. With the truth covered by a dust of lies, Kay must determine who is friend and foe to survive.

The manuscript for Dust of Lies won second place in a fiction category at the OWFI (Oklahoma Writer’s Federation, Inc.) Conference. It has been my sincere pleasure to help G.K. fine-tune a fascinating story that lovers of southern fiction, family secrets, and history will enjoy. I won’t be surprised if many more awards follow the first.

Dust of Lies by G.K. Davenport is available for pre-order if you click here.



Debut author G.K Davenport is a member of the Oklahoma Writer’s Federation, Inc. (OWFI). Her manuscript won second place in her category at the OWFI Conference. She holds a degree in Chemistry from Oklahoma State University as well as a degree in Accounting from Northwestern Oklahoma State University. She is currently employed as a Chief Financial Officer of an automotive dealership and resides with her family in northwest Oklahoma.

You can visit G.K. online at www.gkdavenport.net and on Facebook at www.facebook.com/gkdavenportauthor






Cheryl C. Malandrinos is an author and editor for 4RV Publishing. She lives in Massachusetts with her husband and two daughters. She also has a son who is married.  


Wednesday, October 23, 2019

Take Your Time and Do it Right



As head coach of UCLA's basketball team, John Wooden won ten NCAA national championships in a twelve-year period. Well known for the short inspirational messages he used to encourage his players, some consider the above quote to be one of his finest pieces of advice.

How can we apply Wooden's advice to our writing?

Focused on completing a project and submitting it to a publisher, writers can forget the importance of taking the time to do it right — yours truly stands guilty as charged. Expect cruddy first drafts. We frequently hear, just get it out. While that is true, don't rush editing.

Not all writers are fans of editing. You're forced to kill your darlings, tighten your prose, remove passive voice, switch out weak adverbs for strong verbs, and a litany of other instructions that threaten to make your head ache. Self-editing is a learned art form. I'm still in class. It's way more rewarding to edit someone else's manuscript.

Speaking of working with editors, this might shock you: if your editor asks you to go over a chapter for the third time, it's because she believes so much in your story she wants it to be even better than you think it can be. The word choice, the sentence structure, and the way a chapter ends can be the difference between a reader turning the page and putting a book down unfinished. An editor is part of a team dedicated to preparing your manuscript for publication.

So, what can an author do to help?

Don't rush self-editing

My technique is:
  • Take the cruddy first draft and pretend it doesn't exist for a month.
  • First round of edits: read it aloud to pick up inconsistencies and typos.
  • Second round of edits: improve word choice, correct grammar, and reduce repetition.
  • Third round of edits: focus on punctuation to make sure it's right.
  • Ignore the final draft for a day or two and then read it aloud again to make sure you didn't miss any glaring errors.
Write a great query letter

The dreaded query letter. Can you imagine my eyes rolling into my head? Writer's Digest has a great list of dos and don'ts for this. You can find it here. Two hundred fifty to three hundred fifty words doesn't leave a lot of room for error. Practice makes perfect.

Once your manuscript is accepted, be open-minded

Publishers understand this is your baby. When a publisher accepts your manuscript, they see its potential. Be open to your editor's suggestions. Step back and be objective. Embrace the process, even when it seems to take a long time. That time will be well worth it!



Cheryl C. Malandrinos is a freelance writer and editor. She is the author of four children’s books including, A Christmas Kindness, released by 4RV Publishing. A blogger and book reviewer, she lives in Massachusetts with her husband and two daughters. She also has a son who is married. Visit Cheryl online at http://ccmalandrinos.com and her children’s book blog at https://childrensandteensbookconnection.wordpress.com

Friday, September 27, 2019

Artist Spotlight: Jeanne Conway




     Jeanne Conway joined 4RV Publishing on September 27, 2016. She has created the images for several books since then, several of which have won awards. Her books for 4RV include Louie Finds a Friend - A Louie the Duck Story (2nd in the series) and Wave Excitement - A Louie the Duck Story (1st in the series) by Vivian Zabel; This Isn't My Bed! by Mike McNair;  Storm Sentinel by Tony LoPresti; Merry Tilda: A Winter Fairy Tale and Wild, Wild Wind by Jodi Heaton Hearst; and, her first for the company, Kindertransport: a child's journey Kena Sosa.

     Jeanne, an artist, illustrator, children’s book writer, and art educator lives in St. Louis, Missouri.
She is a member of the Society of Children’s Book Writers and Illustrators. The following is a portion of an interview from the Kansas/Missouri SCBWI since she was the featured illustrator, where she talks about two books illustrated for 4RV:



Question: What would be your dream project? Or what was your favorite project?


Reply: Recently I illustrated a children’s book about the wind called The Wild, Wild Wind by Jodi Heaton Hurst.  The main characters are swept up by the wind and this was terrific for me as I could play around with the various figures (human and animal) as they move through the air. The locale was in the country so I could use a palette of daylight colors.  It was so much fun to do that book.

Question: What’s next for you? Any upcoming book releases we should be on the lookout for?


Reply: Louie Finds A Friend (A Louie The Duck Story) by Vivian Zabel is another children’s book featuring the ongoing adventures of Louie the duck and how he finally makes a friend who understands him.

For so many years I’ve loved art in all kinds of medium. I’ve painted in oil and acrylic but found that watercolor was the one I loved the most. As a child in St. Louis, Missouri, my mother would often take all of us to the Art Museum. And I have to thank both of my parents for the endless paper, pencils, and paints which they provided for those of us who loved to draw and paint.

I got a degree in Art Education from Webster University in St. Louis and went on to teach art for 35 years in St. Louis and London, England.  In 2013 I started illustrating children’s books part-time and when I retired from art teaching in 2016 I started full time illustrating.  I’m a member of SCBWI and would highly recommend this organization to anyone who is interested in writing and/or illustrating children’s books.

My husband Tom and I have been blessed with three children: Adam, Julie, and Suzanne. I am so grateful to them for their constant encouragement for my art.

You can view my art on my website, http://www.jeanniespaintings.com or on my portfolio page on the SCBWI website.


     Thank you, Jeanne, for bringing 4RV books to life with your art.


Tuesday, September 24, 2019

Editing Resources for Writers

Whether I am editing my own work or someone else's, there are resources and tools I've come to rely on. Here is a list of some that are kept close by.




Angela Ackerman and Becca Puglisi, co-founders of the Writers Helping Writers site, have released a series of thesauruses to help writers find the right words or phrases to make their writing come alive and to make their characters real and memorable to readers. Now in its second edition, The Emotion Thesaurus discusses different types of emotions and the body language someone might use when experiencing a certain emotion or trying to suppress it.


Tired of people saying you need to "show, don't tell?" Looking for new ways to describe characters and their actions? Then Master Lists for Writers can help. It will also assist you with plot and setting ideas, dialogue, character names, and more.


I've owned a copy of Roget's Thesaurus since high school. (I won't tell you how long ago that was.) This third edition of Roget's Super Thesaurus from 2003 added new entries and expanded on some existing ones. It also contains sample sentences.






These three little books still get pulled from the bookshelf when I need them. Stephen King once recommended all aspiring writers take the time to read The Elements of Style. As I sat down to write this article, I realized updated versions of the first two had been released since I purchased my copies. Guess who is running out to grab them? 

ProWritingAid is an online editing tool I use regularly to easily find overused words and readability issues. 

I hope you find this list helpful. Now, it's time for you to share. What are editing resources and tools you use?




Cheryl C. Malandrinos is a freelance writer and editor. She is the author of four children’s books including, A Christmas Kindness, released by 4RV Publishing. A blogger and book reviewer, she lives in Massachusetts with her husband and two daughters. She also has a son who is married. Visit Cheryl online at http://ccmalandrinos.com and her children’s book blog at https://childrensandteensbookconnection.wordpress.com





Wednesday, September 11, 2019

Effective Book Promotion is about Building Relationships




Our local library asked me to speak on the topic of book promotion. The program covered such topics as:


  • Press releases
  • Websites and blogs
  • Virtual book tours
  • Video trailers
  • Newsletters
  • Social media
  • Local events
  • Promotional items


At the end, we had a Q&A session. One person asked me what is the most effective type of book promotion. While I feel social media is the easiest way to reach the masses of people out there who might be interested in your book, it's most important to make personal connections.

Whether we are connecting with people face-to-face or online, promoting yourself and your work is about building relationships. We build relationships with readers, with librarians, with booksellers, and with other authors. Being authentic and relating to people builds those relationships that are so crucial to our success. No amount of time and money spent on marketing will make a difference if we don't build and nurture relationships.



Cheryl C. Malandrinos is a freelance writer and editor. She is the author of four children’s books including, A Christmas Kindness, released by 4RV Publishing. A blogger and book reviewer, she lives in Massachusetts with her husband and two daughters. She also has a son who is married. Visit Cheryl online at http://ccmalandrinos.com and her children’s book blog at https://childrensandteensbookconnection.wordpress.com

Sunday, September 1, 2019

Characteristics Used to Create Believable Characters


It’s noted that you should let the reader see your protagonist’s characteristics within the first few pages. This enables the reader to quickly identify with him. This connection will determine whether the reader continues to turn the next page.

Unless you’re writing fantasy or science fiction, your protagonist will have ordinary strengths (possibly extraordinary, but within the realm of reality); he will also have weaknesses. These qualities need to be conveyed early on.

Here are 15 characteristics that may pertain to a protagonist or main character (MC):

1. Intelligent: Is your MC smart? If so, how smart: is he a genius, did he finish college, does he get all As in school?

2. Handy or Crafty: Maybe your MC isn’t great at academics, but is he handy, musically inclined, or crafty?

3. Arrogant: Does your character think he’s better or smarter than others?  Does he let others know it? If so, how?

4. Trustworthy: Is your MC the kind of individual that others feel they can trust?

5. Determined: Does your MC know what he wants and strives to obtain his goal?

6. Greedy: Is your MC the kind of person who wants everything he doesn’t have? Is he the type of person who wants much more than he actually needs? Does he make it obvious?

7. Dependable: Is your MC the kind of individual that others know they can count on?

8. Brave: Does your MC do what he has to even if he’s frightened? Is he known for his bravery?

9. Cowardly: Is your MC afraid of his own shadow? Does he try to avoid any kind of confrontation or adventure?

10. Caring: Does your MC demonstrate kind and caring qualities? Does his family and friends think of him as a caring individual?

11. Selfish: Does your MC think of only himself? Is he known for this unsavory quality?

12. Strong: Does your MC have great physical strength? Is he strong emotionally?

13. Weak: Is your MC weak either physically or emotionally or both?

14. Athletic: Is your character into sports? Does he excel at it?

15. Artistic or musical: Does he draw or paint? Does he play a musical instrument?

These are just some of the characteristics you can give to your protagonist. There are many others though, such as: shrewd, cheap, a liar, a thief, a go getter, beautiful, awkward, loyal, kind, lazy, introvert, extrovert, irresponsible, and cruel.

It’s up to you as the creator to give your protagonist a set of characteristics that will allow him to connect to the reader – whether the reader loves him or hates him there must be a connection. This connection is what will cause the reader to keep turning the pages.

Be cautious though, if you are giving your protagonist unsavory qualities at the beginning, be sure to include at least one redeeming quality otherwise your audience may not find that connection and decide not to read on.

And remember, you can always have the protagonist change characteristics through the momentum of the story. He can start out as a coward and through various occurrences within the story he can evolve into a hero, or whatever you choose. That’s the amazing thing about being a writer – you create something from nothing. You give your character breath and dimension.


Karen Cioffi is an award-winning children’s author, successful children’s ghostwriter, and online platform instructor with WOW! Women on Writing. Check out her middle-grade book, WALKING THROUGH WALLS.

You can connect with Karen at:
Facebook  https://www.facebook.com/writingforchildrenwithkarencioffi/
LinkedIn  http://www.linkedin.com/in/karencioffiventrice
Twitter  http://twitter.com/KarenCV



Wednesday, August 21, 2019

Burnt Offering Given 5 Stars by Readers' Favorite

  Burnt Offering 
reviewed by Trudi LoPreto for Readers' Favorite

     Hadara is the daughter of a rich Egyptian and married to Tzabar, a cruel and conniving man. King Ahaz of Judah believed in idols and not the one true God. He and Tzabar, together in their evil ways, killed children by placing them in bronze idols and burning them alive. This caused many to flee and hide to protect their children and their religious beliefs. Hadara left the home of Tzabar in the middle of the night, taking her son and others of the household and she did her best to protect all of them. 
     Burnt Offering has much romance as each person finds love and marries but there is much danger as well. There are those worshipers of the idols and those who believe there is only one God and are ready to fight to prove that their beliefs are the right ones. When Hezekiah, who has been in hiding for many years, becomes the new king, many changes take place, but the fighting and killing still continue.
     Burnt Offering by Vivian Zabel takes place in the eighth century,
beginning in 720 BC. The story brings the Old Testament alive and depicts a way of life so very different than anything we can imagine. There are many characters in this book and each plays an important role in telling the story. Burnt Offering has enough suspense and romance to keep you reading long into the night.
     Vivian Zabel is a master of words and turns them into vivid pictures as she takes us very far back in time. Burnt Offering fits into so many genres that I can only say I do not think there is anyone who will not enjoy reading this book. It is a page-turner.



      After receiving the review shared above, I wanted to tell everyone. The novel is also entered in Readers' Favorite book competition, but I won't know the results until September 2020 -- Wow! What a long time to wait.

Wednesday, August 14, 2019

Vacation Inspiration

For some of us, writing is as much a visual experience as it is a physical task of putting pen to paper or typing on a keyboard. Thankfully, modern technology has enabled us to capture moments that can inspire our writing.

Here are a few photos from our recent vacation and ideas they inspired.


1. A whirlwind romance culminates with a proposal near this elegant fountain.
2. A summer romance comes to a surprising end when one half of a couple invites the other on a walk through this beautiful garden only to find out that he is breaking it off to return home to another person.

  

1. A young elf lives in this enchanted cottage with her family where she struggles to find her place in the world.
2. A brother and sister step inside this abandoned cottage and find themselves transported back to 18th century America. 


1. A newly hired ecologist finds herself in danger when she discovers her employer is performing illegal experiments on endangered species.
2. Three friends are separated from their families during a hiking trip. 

What are some ideas these photos inspire for you? 




Cheryl C. Malandrinos is a freelance writer and editor. She is the author of Little Shepherd, A Christmas Kindness, Macaroni and Cheese for Thanksgiving, and Amos Faces His Bully. A blogger and book reviewer, she lives in Massachusetts with her husband and two daughters. She also has a son who is married. Visit Cheryl online at http://ccmalandrinos.com and her children’s book blog at https://childrensandteensbookconnection.wordpress.com

Sunday, August 4, 2019

Read as a Writer

Every writer has been told to read, read, read. Read as much as you can to improve your own writing skills.

Well, I read an interesting article at Writer Unboxed that explained why simply reading to improve your writing won’t cut it.

According to the author, Julianna Baggott Faculty Director of Vermont College of Fine Arts MFA in Writing and Publishing, “I’ve found that some of my most thoroughly read students – the ones who devour and love every book they come across – are some of my hardest to teach. I believe that how one reads is essential. And if you don’t master reading as a writer, sheer quantity will be of little use.”

Baggott broke down reading as a writer into five categories: blueprint reading, territory reading, language reading, portal reading, singular lens reading.

Breaking them down:

1. Blueprint reading.

This goes back to read, read, read. While she kind of said this doesn’t work, she does agree that reading in volume does give you an idea of how a book is written to get published. (assuming you’re reading traditionally published books.)

For my writing, I like this type of reading. Seeing how the author puts the story together, how he builds his characters, how she keeps the conflict rising, how he ties up all loose ends . . .

It is a great tool to learn ‘good’ writing.

2. Territory reading.

This is reading to take ideas away with you. It could be from the topic, a chapter, a scene. At least this is what I think the author is saying.

I’ve done this. I’ll be reading a children’s book and an idea pops up. It may just be something I’m reading that takes me in a new direction. But, it can get the creativity flowing.

3. Language reading.

Reading with language in mind is to see the words that are used.

I do this often. While Baggott uses it for ideas and transitions into topics, I use it for the actual words. I love to see what words authors use to convey an emotion, a sensation, a description, and so on.

I also keep a database of words I find that I might be able to use down the road. So, just like the author of the article, I’ll have words circled or underlined in the books I read.

4. Portal reading.

I’ll be honest, I’m not quite sure what the author is saying for this reading experience. As far as I can tell, it’s reading and through the scene be transported into your own story. The book somehow acts as a muse to give you insights into your story.

This hasn’t happened to me.

5. Singular lens reading.

This one is more about seeing everything through the story you’re writing. You look at book covers, titles, contents and how it relates to your story.

As Baggott puts it, “This reading is how you look at the world around you when you're so deeply involved in a project that everything you encounter gets filtered through that one lens.”

As a ghostwriter, I’m usually working on more than one story at a time plus my own stories. Because of this I don’t really get ‘singular lens’ anything.

But, it’s easy to see how this can happen.

Summing it up.

Being a writer, I notice how I read different than someone who doesn’t write. I see grammar. I see sentence structure, chapter structure, story structure, character building and sometimes all this is at the sake of the story itself. I’ll have to stop myself to actually just read the story.

But, this is what writers do consciously or subconsciously. We can’t help it.

And, now you have five reading styles to help you write your stories. Have you found yourself using any of these?

Reference:

5 Ways to Read as a Writer


This article was originally published at:
http://karencioffiwritingforchildren.com/2017/08/13/read-as-a-writer/


Karen Cioffi is an award-winning children’s author, successful children’s ghostwriter, and online platform instructor with WOW! Women on Writing. Check out her middle-grade book, WALKING THROUGH WALLS.

You can connect with Karen at:
Facebook  https://www.facebook.com/writingforchildrenwithkarencioffi/
LinkedIn  http://www.linkedin.com/in/karencioffiventrice
Twitter  http://twitter.com/KarenCV

Tuesday, July 30, 2019

Jodi Heaton Hurst - New Children's Book Released







      That wild prairie wind! It might blow Grandma Rose’s letters out of her hand. It might even pick up Grandma Rose and Grandpa Frank and Mollie Dog and blow them down the road! “Wa-shooh,” the wind chuckles as it plays its prairie-wind game.

      During her years of growing up in west Kansas, the author's parents often said, “This wild wind will blow you away,” which she adapted for this story. Jodi Heaton Hurt's story, illustrated by Jeanne Conway, will delight readers young and old.

    

          Jodi states on her blog (jodiheatonhurst.com): "Wild, Wild Wind blows you, the reader, from page to page with Grandma Rose, Grandpa Frank, and that crazy, wild wind. LOOK! It's blowing Grandma Rose down the road. Grandpa can't help Grandma. Neither can Mollie Dog or Gorby Goat. Will somebody, please, help Grandma?"


     Copies of Wild, Wild Wind can be purchased from the author contacting her on jodiheatonhurst.com/p/projects.html, by asking for the book at a local bookstore, or by ordering it from the online bookstore: 4rvpublishingcatalog.com


Friday, July 26, 2019

Group Book Signing: Wayne Harris-Wyrick and vehoae included



     The July 24, 2019 Edmond Sun carried an article about a group book signing to be held at Best of Books July 27. Two 4RV authors are included: vehoae and Wayne Harris-Wyrick. Hopefully, anyone in the area will attend the book signing and support Wayne and vehoae. A scanned copy of the article follows:

 
     Congratulations, vehoae and Wayne for being included in a well-written news article. May the book signing be successful.

Wednesday, July 24, 2019

Two of the Most Powerful Words for Writers



For a character driven writer, a story idea begins with a character. Think about this character. Figure out where he or she lives, how the character dresses, what his or her daily life is like, what motivates this person, and consider his or her physical description.

None of that, however, gives you a story. A storyline involves plot, climax, and resolution. It involves conflict: something the character needs or wants and the obstacles that stand in the way of him getting it.

This is where two of the most powerful words come into play. What? You’ve never heard of these words? I think you have.

Those two words are, “What if ...”

Consider Amelia. She is an impulsive girl born into a wealthy family. Her curly hair is blonde and her eyes blue. At the age of 13, she lives in Pennsylvania where her father is an important businessman. Tea parties and private schooling fill her days. Since she lives in the mid-1800’s, she wears fine dresses made of silk and fashionable boots with buttons. She has a collection of porcelain dolls, but there is one that is very special to her.

She could be any well-bred girl living in the 1800’s—but she’s not. Amelia has a story all her own.

What if …

Amelia experiences a tragedy unlike she’s ever known?

What if …

Her parents die of the influenza and Amelia is sent to live with her spinster aunt at the family estate in Massachusetts?

What if …

Amelia’s impulsive nature is at odds with her Aunt Martha’s desire to bring her up properly?

What if …

A lonely Amelia befriends Ralph, the Negro stable hand working at the estate? And …

What if …

Aunt Martha disapproves?

What if …

Amelia’s father told her stories of what Aunt Martha was like as a girl and they are very different from the stern, bitter aunt who is now her guardian?

What if …

Amelia decides she must uncover the secret that caused the change in Aunt Martha? And ...

What if …

She is willing to risk her aunt’s wrath to find out?

Two little words, yet they open up a world of possibilities. Use them wisely. Use them often.



Cheryl C. Malandrinos is a freelance writer and editor. She is the author of Little Shepherd, A Christmas Kindness, Macaroni and Cheese for Thanksgiving, and Amos Faces His Bully. A blogger and book reviewer, she lives in Massachusetts with her husband and two daughters. She also has a son who is married. Visit Cheryl online at http://ccmalandrinos.com and her children’s book blog at https://childrensandteensbookconnection.wordpress.com