Monday, December 26, 2011

Sparkle Your Words


by Wayne Harris-Wyrick  - guest contributor  

Sometime you may find yourself plodding along on that novel or article and realize that it lacks sparkle.  What can you do to add zing to your words?  Try switching genres.

Prose writing, particularly certain types of articles, is often dry and pedantic by nature.  Or so it often seems.  Even the most detailed account of how to tune up your car need not overflow with boring descriptions.  Yet readers have an expectation when they open the book or particular magazine and start to read your words.   

Try this exercise: write the first chapter of the book or major premise of your article as a poem.  Breathe new vibrancy into your work.  As Richard Pettinger wrote “A good poem should be able to lift the reader out of the ordinary and give glimpses of a more illumining reality, engage the heart of the reader, or offer hope from seemingly painful experience.”  Engage your reader’s heart, regardless of what you write.  Try it as a rhymed poem or an ancient Greek epic poem.  Or perhaps an Elizabeth Barrett Browning love poem.  “How can I fly faster than light?  Let me count the ways.”

Is your exposition flat?  Are you telling instead of showing?  Try writing the entire piece as a screenplay, allowing only dialogue and limited descriptions of the characters’ actions.  Describe your character’s physical appearance as if he or she shared a first-time intimacy with a blind person.  How would the blind lover later describe your character to their best friend the next morning?  She never saw him, so the description would have to include only what she could glean: the sound of his voice, the feel of his skin, or the taste of his lips.  She might relay how he smelled or the texture of his clothes.  Remember: this blind person isn’t giving a fashion report; she is describing a budding love relationship.

Write your science fiction or horror novel as a children’s picture book.  I know, it’s totally inappropriate for young kids, but that’s not the point.  How few words can you use to create your scene?  And imagine the illustrations that would go with it.  Better still, draw them!  Anything you can do to increase your immersion in your own story will make your words more enjoyable to your readers.

Write your YA urban fantasy as a newspaper report.  A newspaper article must have who, what, when and where in the first two paragraphs.  And newspaper editors cut from the bottom up when the article is too long to fit around the ads.  That’s why it sometimes seems as if a newspaper story was cut off in the middle.  Write it out, then remove a paragraph or two and see if it still makes sense.  You certainly don’t want your novel to read like it’s right out of the newspaper, but by going to the extreme of dry writing you may be able to drain it all out of your manuscript.

Whatever you write, use to all the instruments of in the writer’s toolbox.  If you aren’t familiar with all the tools, learn them.  Your readers will thank you for your hard work.


Friday, December 23, 2011

Wednesday, December 21, 2011

Add Emotions to Your Story

"Add Emotions to Your Story" by Joan Y. Edwards

Add emotions to your story. There has to be an emotional pull to get your reader to stay for the whole book. The reader has to relate to the characters in your story. If the reader doesn't feel a reason to be curious about what happens to your main character he closes your book. He has to care about what happens to him so much that he can't put the book down. He has to feel this burning desire to find out what happens to him. If the manuscript you've written isn't the best seller you had in mind, perhaps emotion is missing from it. Revamp your manuscript and let the emotions come to the surface.

Think about how you would feel if you were actually the main character in your story. What would you be afraid of? What would make you sad? What would make you so angry you'd lose your temper? What would disappoint you? What would make you so happy that you'd dance around your house seven times? Put these emotions into your story. It'll come alive. The emotions give your reader a reason to like the character and care what happens. It pulls your reader into your story at the beginning and he'll stay with you to find out what happens along the way. He'll turn the pages and anxiously anticipate what happens at the very end.

Writers know in their heads what the characters are feeling. The problem comes in describing it in the story so that readers know without a doubt what's going on and can relate to them. You want them to have compassion for them. Be angry with them. Cheer them on through their next problem until they reach their goal. The reader wants to hear more and more about that character in the story, as if he was a real person.

Donald Maass in a workshop at the Pike's Peak Writer's Conference in 2010 said you must have tension in your story. The dialogue and the descriptions have to show both sides of the picture. Your story must show how the character is pulled in two directions. First, believe they can get the job or goal. Second, believe there is no way they can get the job or reach the goal. The main character mayt have doubts because of the way he fouled it up last time.

Inside our heads every day, we have at least 50,000 thoughts. We have these opposite points of view that creates tension in our lives. So do the characters in your story. Show they're human. Share their thoughts. Their thoughts depict their emotions. Give your character one big strength and one big weakness, or give them one small strength and show its growth through your story. Each of us has strengths and weaknesses. Our humanity is what we have in common with other people.  Readers are hungry to interact with the characters in your story. So fill your story with tension and emotion.

Sunday, December 18, 2011

Writing as an Editor or Proof Reader

by Vivian Zabel 

          When editors or proof readers write an evaluation or suggestions for revisions in paragraph form, they are putting their writing "out there" to be observed and critiqued by others.

           What do I mean, you ask? Let me give an example. Let's say I've acted as an acquisition editor and have prepared an evaluation. If I write something like the next paragraph, what kind of impression am I going to leave on my supervisor, the author, or anyone else who reads what I wrote:

           I did like Running Backward trhough the Streets, but I found lots of misunderstood parts.  When characters talk, each one should have its own para. The time line should be consistent and plot should make sense.

          How could I make that a better paragraph? Let's see.
         I enjoyed reading Running Backward through the Streets, but some sections confused me. The wording and sentence structure caused misunderstanding. (give example of a confusing section and suggestion for revision) When different characters speak, paragraphs change. For example when John talks and perhaps a bit of action, one paragraph is required. Then when Mary speaks, a new paragraph begins. The time line and plot are not consistent, understandable, or in cohesive order.
          The acquisition editor who writes a sloppy evaluation causes the author to wonder if he or she wants to do business with a publisher who has staff members who cannot write coherently.

          A lead editor or proof reader who writes suggestions in paragraph format should also be as careful about his/her writing, making sure it is clear with extremely few, preferably no mechanical or grammatical problems. 

          Remember, we're putting our own writing on display when we write as an editor or proof reader. We don't want readers making snide remarks such as, "This person calls himself an editor? Ha! I can write as good as he can."




4RV Publishing website
4RV Bookstore


Saturday, December 17, 2011

Promotion: Tumbleweed Christmas

posted by Vivian Zabel  

          One of the Christmas releases from 4RV Publishing is Tumbleweed Christmas by Beverly Stowe McClure and illustrated by Bridget McKenna.  The following is a trailer of the book:




The book can be purchased from the 4RV Bookstore.


Friday, December 16, 2011

Join in the Conversation!

a guest post by Holly Jahangiri


Join in the Conversation!

You’ve spent time building your blog. You’ve written killer content, found or created an attractive template to show it off, baked cookies, sent out engraved invitations, and…what? Now you wait?

If only that were enough! Here are a few tips for bringing readers to your blog:

Research other blogs – not only blogs in your niche, but blogs run by your readers.

Every time you visit a blog, do as many of the following as you can spare the time for:
  • Leave a meaningful comment. Never just say “great post” or “interesting” unless you want to be mistaken for a spammer. Refer to the blogger by name. Mention something specific you liked or didn’t like about the post. Share a story of your own.  This is a great way to leave “breadcrumbs” back to your own blog, especially if you’re lucky enough to be commenting on a blog with CommentLuv+ or CommentLuv Premium. (If you buy CommentLuv Premium, you will always get a choice of 10 posts from your own blog to choose from when leaving comments on others’ blogs.)
  • Share the posts you find interesting. If there are share buttons, use them – Facebook “Like” or share; Twitter; Google +1; LinkedIN, and StumbleUpon.
  • On Twitter, be sure to share useful information. Try a tweet that starts out, “Did you know… “ and follow it with a grammar tip or publishing statistic. Every fifth tweet or so, plug your book or your latest post. Use Tweetdeck (it’s free!) to manage multiple Twitter accounts (perhaps your characters, like @Trockle, have their own?) and schedule Tweets to space them out throughout the day.

Part Calling Card, Part Writing Sample

Remember that every comment and link you leave on others’ posts is your “calling card.” As a writer or other book publishing professional, you want to make a good impression – and comments are forever. So before you Submit, be sure to proofread your comment. It doesn’t have to be perfect every time, but you ought to make an effort. Try not to criticize others’ spelling, grammar, or punctuation though. About 80% of the time, the more critical the blogger the better the odds of his own comments containing grievous errors!

Backlinks Beget Backlinks

When crafting your posts, reward great content and interesting or helpful bloggers by adding links to their posts. Make sure your “anchor text” (the text that a reader clicks to get to the other blog) is meaningful and also something people are likely to be searching for online, and make sure that it opens in a new tab or window so that readers of your blog won’t get whisked away, never to return. A good backlink might look something like this:

For a great bedtime story to help kids get over their fear of monsters under the bed…

To code that, you’d type the following:

For a great <a alt="Trockle is a great bedtime story to help kids get over their fear of monsters under the bed." href="http://jahangiri.us/kids" target="new">bedtime story</a> to help kids get over their fear of monsters under the bed…

The alt tag is used to help visually impair readers understand more about the link. A good screen reader program will read that to them. Search engines look for that information, too. Just make sure that when you put keywords in alt tags, they’re helpful to both people and search engines!

The target tag ensures that the reader won't be yanked off your page to go read the other blogs you've recommended in your post. They'll be able to refer to both - side by side, if they want to!

Just remember - it's not enough to build it and hope for readers to come. You have to show them the way and make them feel welcome.

Thursday, December 15, 2011

Even Seasoned Authors need to do this

As an avid read and reviewer of numerous books, it pains me as both when I see inconsistencies and incongruity in stories.

For newer authors, all facts, timelines, as well as double-checking any real places should be for accuracy. Nothing will turn off a reader faster than reading about a character in the 1960s watching a program that wasn’t on-air until the 1970s.

If your story takes place in a town somewhere such as San Diego, CA as a television show did and someone that knows the town where they live, like San Pedro, CA close to three-hundred miles apart, and recognize buildings in San Pedro, you have a problem with reality and believability for your setting.

As Mark Twain said, “The difference between the almost right word & the right word is really a large matter–it’s the difference between the lightning bug and the lightning.”

Never trust spellcheckers and grammar checkers, spellcheckers only tell whether or not a word is spelled correctly, not if it’s the correct word in your manuscript. The same goes for grammar checkers, they do not deal well with creativity in writing.

“You don’t write because you want to say something; you write because you have something to say.” — F. Scott Fitzgerald. Be sure that you have what you want to say organized.

Real writing is rewriting and editing. Always have a second pair of eyes read your work, someone who will tell you the truth, not what they think you want to hear.

A critique, especially for the newer writer is less than no critique if there is no constructive feedback.

Robert Medak

Freelance Writer/Editor/Reviewer/Marketer

Robert J Medak Writing & More

http://stormywriter.com/