by: Stephanie Burkhart
Characters are the heart and soul of your story, but what
makes them cross the line from two-dimensional to three-dimensional? What makes
them compelling?
Author David Corbett offers four elements that you can add
to your characterization and I think they're spot on.
To cross the line, keep your character's internal compass
consistent, yet ensure they can still surprise you.
First, a character has to have a driving need, desire, or
goal. What makes a character interesting is what that character wants, and the
stronger the desire, the more compelling the drama. Desire helps to create
conflict, and how your character manages conflict makes the story interesting.
Second, secrets make interesting characters. If there's a
trait or an incident the character wants hidden, but is revealed, it might make
that character lose standing with family and friends. What makes secrets
delicious is that they tell readers what characters have to lose and why.
Third, contradictions bring to light what readers can't
predict and thus shows surprise. For example: a character can be desperate, yet
proud, and decide to take a job that might not be up their alley, just so they
can earn a living.
Lastly, nothing draws a reader to a character than
vulnerability. When people need help or are wounded, we're drawn to help or
feel sympathetic to that character. Secrets play into this trait. If the
character is afraid of the secret getting out, it gives the character a
vulnerability they might not have had.
What can you do to help deepen characterization? Flesh your
characters out. Cast the character. Write character bios. What do they like?
Dislike? Write a flash fiction or short story to get to know them. Draw on real
life inspiration such as friends, family members, and co-workers. You can also
make a list of your emotional triggers. For example: What's your greatest fear?
When did you show true courage? By drawing on your triggers, you can bring
added dimension to your character's desires, wants, needs, secrets,
contradictions, and vulnerabilities.
If you're new to writing, I suggest using a character bio
sheet to help you fill in the basics about them. For me, it also helps to "cast"
the character. For "Aly" in First Flag of New Hampshire I think of a
young Claire Danes. A simple character bio can look like:
Name:
Born Where?
Lives Where?
Languages spoken:
Hair/Weight/Eyes/Height
Likes:
Dislikes:
Greatest Fear?
Wants to be what when they grow up?
You can modify the character bio to fit your writing/story.
I usually spend about 2-3 weeks "prep" time before I even write
researching the story, the setting, the time period, and compiling my character
bios. The time I take to prep and
prepare character bios really helps when it's time to put paper to pen.
Question for you: What do you do to help you understand your
characters?
Author Bio: Stephanie Burkhart is a 911 Dispatcher for LAPD. She's also an assistant den leader for his son's Cub Scout Wolf Den. She was born and raised in Manchester, New Hampshire, but went to live in California when she got out of the Army. She loves coffee and adores chocolate. You can find her at: http://www.stephanieburkhart.com
Reference: "Hooked on a Feeling," by David
Corbett, page 32-36, Writer's Digest, Jan 2011.
Good tips for helping create characters. Personally, I use file cards to jot characteristics down, one card per character.
ReplyDeleteVivian I like the idea of using file cards. The better organized, the more it helps.
ReplyDeleteSmiles
Steph
Dear Stephanie,
ReplyDeleteThe tips you got from David Corbett are good ones for creating a character. Thanks for sharing them. I wish I spoke more than one language. Many blessings to those who do.
Celebrate you and your happy spirit.
Never Give Up
Joan Y. Edwards
Stephanie, thanks for the useful tips on developing characters. I use a Word doc file for each of my characters' information.
ReplyDeleteWhat I like about having it on a Word doc is I can easily add to it as a new characteristic pops up, and if needed, I can print the page out.