That can mean many things, but most often for fiction books,
a submission requires some of your actually-written-edited-best-it-can-be
chapters. Their request can also ask for the dreaded synopsis.
“Yikes,” you say, “what’s a synopsis?”
When I began writing, I wrote a synopsis as the final task and worried myself silly over it. I admit I still don't like them.
Multi-published author, Karen Kelley, http://authorkarenkelley.com/
set me straight.
“Write your synopsis first when you have the idea in your head. This avoids
deciding what’s important and what’s not. In the beginning, we only know the important part.
Her words of wisdom proved correct. When the book was
completed with all the problems I threw at my protagonist, my synopsis was too
long. Every plot twist seemed important. I couldn’t delete anything. When I
wrote the synopsis first, I hit only the main plot themes.
Now, let's look at what a synopsis really is and what's it's not.
What a synopsis is not:
It’s not a
summary.
It’s not a chapter
by chapter outline.
It’s not a query.
It’s not a back-cover
blurb.
What a synopsis does:
It gives the
reader the essence of the story.
It tells who and
what with a light touch on when, where, and
how.
It answers the
questions:
What’s so
different about this story?
Why should I care about this person or their problems?
What does the protagonist want? Why? Why can’t he get it?
Why should I care about this person or their problems?
What does the protagonist want? Why? Why can’t he get it?
Instead of saying what happened next, it should tell the reader
what impact it has on the characters.
Those who read it
judge our writing.
Find out what the
agent or editor that’s the target of your submission wants in a synopsis.
Requirements run from one page to ten pages, and formatting desires may differ.
A synopsis is
IMPORTANT.
Good websites on writing synopsis:
